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I bought an old violin and gave it to them to convert.
If injured or working with a student who plays with excessive tension, an amplified instrument can be used as a tool to support a lighter touch in both hands.
Then the technology evolved in the 70s to a point where in addition to volume a violinist could have access to the same electronic sound effects as electric guitarists and any other electric instrument.My electric violins are semi-hollow.DLS: The first time I played an electric violin was because Keith MacMillan gave me a Zeta to try!Theyre pretty much all Ive played since 1973.The LP you mentioned, Solo Violin I-X, was recorded mostly acoustically, however, but with various micing techniques, as well as a little feed from the pickup mixed in as an additional element/extension.It also seems expedia discount codes march 2015 that free online quiz contest to win cash in india any good professional freelance string player now needs to own an electric and have at least a rudimentary vocabulary in many non-classical styles and some improvisational skills in order to stay busy.One major impact in my opinion is that a violinist can now perform on a stage of any size, and under almost under any conditions. .HM: At its core the response to this this question harkens back to what I stated previously.Devices by Moog, Eventide, Hexe Guitar Electronics, Boomerang, Zvex, Neunaber, Strymon, Metasonix, Montreal Assembly, Oto and Iron Ether get used daily in my own writing and in my work with numerous Los Angeles based film composers.Then, in the early 1980s, I began to tour with Brian Eno recording artist, Laraaji Venus.I was discovering a way of playing that was an organic part of my own musical culture, a way of playing that spoke to my friends from high school in their native musical language, the American vernacular that was dominated by rock guitar.
These fiddlers were Barcus-Berrys biggest market.
JLP: The first real electric violin I played was a prototype given to me by Barcus-Berry in Los Angeles in 1969, the best at the time, then they gave me the first 5-string with a low C string in 1978, there are other good models.
LS: Electric violins have made incredible improvements over the years.I used this violin for the first part of Curved Air until I went to America and discovered that Barcus Berry made a violin bridge that amplified the violin.As far as i know, there are no electric violins available which are not solid. It allows the violinist more versatility and style in terms of both look and sound.Overlapping networks of smaller looped elements can combine and be rearranged to form larger looped structures, something I call macro-loops, resulting in an uninterrupted stream of multi-layered music, a virtual ensemble, moving freely, naturally and unpredictably through a symphonic palette of keys, dynamics, tempos and.It is simply different and can do many things which an acoustic cannot.A Juilliard graduate, I decided the world didnt need another recording of the Tschaikovsky violin concerto, formed a rock band and started designing and building some of the first-ever 6-string electric violins.DLS: I was given a Zeta violin to for my album Indian express.The attraction was immediate.
Have you ever played the original, 1958 Fender Electric Violin JLP: the model I tried must have been the CBS one since it was mid to late 70s, it did not sound like your old model for sure.